front cover of Ambrosiaster's Commentary on the Pauline Epistles
Ambrosiaster's Commentary on the Pauline Epistles
Romans
Theodore S. de Bruyn
SBL Press, 2017

A new translation for scholars and students of biblical interpretation and ancient Christianity

The ancient writer dubbed Ambrosiaster was a pioneer in the revival of interest in the Pauline Epistles in the later fourth century. He was read by Latin writers, including Pelagius and Augustine, and his writings, passed on pseudonymously, had a long afterlife in the biblical commentaries, theological treatises, and canonical literature of the medieval and the early modern periods. In addition to his importance as an interpreter of scripture, Ambrosiaster provides unique perspectives on many facets of Christian life in Rome, from the emergence of clerical celibacy to the development of liturgical practices to the subordination of women.

Features

  • An up-to-date overview of what is known about Ambrosiaster, the transmission of his commentary on the Pauline Epistles, his exegetical method, his theological orientation, and aspects of Christianity in Rome in the fourth century
  • A scholarly translation of the final version of the commentary, along with notes that identify significant variants from prior versions of the commentary
  • Bibliography thatincludes a comprehensive list of the scholarly literature on Ambrosiaster
[more]

front cover of
"The Stage's Glory"
John Rich (1692–1761)
Berta Joncus
University of Delaware Press, 2011
John Rich (1692-1761) was a profoundly influential figure of the eighteenth-century London stage. As producer, manager, and performer, he transformed the urban entertainment market, creating genres and promotional methods still with us today. This volume gives the first comprehensive overview of Rich’s multifaceted career, appreciation of which has suffered from his performing identity as Lun, London’s most celebrated Harlequin. Far from the lightweight buffoon that this stereotype has suggested, Rich—the first producer of The Beggar’s Opera, the founder of Covent Garden, the dauntless backer of Handel, and the promoter of the principal dancers from the Parisian opera—is revealed as an agent of changes much more enduring than those of his younger contemporary, David Garrick. Contributions by leading scholars from a range of disciplines—theatre, dance, music, art, and cultural history—provide detailed analyses of Rich’s productions and representations. These findings complement Robert D. Hume’s lead article, a study that radically alters our perception of Rich.

Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
 
[more]


Send via email Share on Facebook Share on Twitter